Rudimenti is an open project, aimed at broadening my personal research on percussion instruments and their surfaces; intended as habitable spaces able to receive the vitality of what surrounds them, to adapt themselves and to act back.
Rudimenti comprises multiple trajectories of research: from writing texts to the realization of scores/instructions for percussion ensembles; to the formalization of listening exercises; to the development of “polyrhythms” meant as the production of multiple informations given over through the relationships between movement, space and sound.
The residency at QO2 was aimed at developing durational sound practices through which I collected intuitions and ideas in order to realize a text publication whose main topic will be the unstable and forever ‘under-construction’ relations between movement, materials and surfaces as well as the distance between human and non-human beings in the production of sounds.